b'CASE STUDY heexplained,thenbalanceisAccording to Moreno, its all about anotherimportantconsideration.doing it. Understanding what you Youdontwanttheareatolookare looking at and what you need to lopsidedoruneven.Groutisdo to fi x it comes with experience.another concern: Do you want theDiBlasiconcurs,andsaid,in pattern to be the dominant visualaddition to planning and commu-effect,ordoyouwantittobenication,having35yearsinthe subdued? A contrasting grout willbusinessmeanshecandrawon make the pattern stand out, while athe experience of past projects to grout that blends will pull the colorhelpfi gureoutwhattodonext. and texture of the tile to the eye. Thisisnttosaynewchallenges Howshouldcontractorsover- dontarise,buthavingthatmany cometilepatternproblems?years as an installer really helps.Martin Brookes noted, when it comes to working with pattern tile, his fi rm makes sure the installers never feel pressured into installing tile until the layout is approved. Earlier in the year we did a mosaic wall. We knew it would be challenging, and the contrac-tor was nervous, given he had a previous experience with the same tile that failed. He had many questions, which we answered with confi dence. The artist, Johanna Poethig, was heavily involved in the layout. Her vision came to fruition and the rendition almost mirror imaged the fi nished project. This collaboration and patience really paid off and everyone was happy with the end results.96 TileLetter | January 2020'