Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28 Page 29 Page 30 Page 31 Page 32 Page 33 Page 34 Page 35 Page 36 Page 37 Page 38 Page 39 Page 40 Page 41 Page 42 Page 43 Page 44 Page 45 Page 46 Page 47 Page 48 Page 49 Page 50 Page 51 Page 52 Page 53 Page 54 Page 55 Page 56 Page 57 Page 58 Page 59 Page 60 Page 61 Page 62 Page 63 Page 64 Page 65 Page 66 Page 67 Page 68 Page 69 Page 70 Page 71 Page 72 Page 73 Page 74 Page 75 Page 76 Page 77 Page 78 Page 79 Page 80 Page 81 Page 82 Page 83 Page 84 Page 85 Page 86 Page 87 Page 88 Page 89 Page 90 Page 91 Page 92 Page 93 Page 94 Page 95 Page 96 Page 97 Page 98 Page 99 Page 100 Page 101 Page 102 Page 103 Page 104 Page 105 Page 106 Page 107 Page 108 Page 109 Page 110 Page 111 Page 112 Page 113 Page 114 Page 115 Page 116 Page 117 Page 118 Page 119 Page 120 Page 121 Page 122 Page 123 Page 124 Page 125 Page 126 Page 127 Page 128which his company knew well. “We reached out to Bostik for advice, and Bostik came through,” he said. “All their products are easy to use, their customer service is great!” Bostik grout offers “another light source” to the project Acworth added, “Our relation- ship with Bostik began when we started using Dimension RapidCure Grout – their unique formulation that contains 60% recycled glass content – in our productions. The product is easy to apply, highly durable and most of all, actually adds more luminosity to mosaic productions. For example, if a proj- ect contains glass mosaics, imagine another light source being incor- porated: that’s what Dimension RapidCure offers.” Designer Bennett remarked, “We believe great design should be sim- ple, so our process is one of hon- esty and communication through- out. Not only do we think it’s the right way to do business, but it does wonders for keeping efficien- cy up and costs down. Working with great suppliers such as Bostik, Artaic and Katwyk Tile, we were able to once again implement our philosophy for the mosaic murals at The Cliff Lodge.” Scott Banda, Bostik’s direc- tor of Marketing and Business Development, summed it all up. “Along with our strategic partner, Artaic, Bostik is on a mission to resurrect the ancient art of mosaic design,” he said. “We’re bringing it back worldwide. The two murals at The Cliff Lodge and Spa are perfect examples of how mosaic masterpieces can once again be specified by the architectural and design community. We are proud and pleased to be an active par- ticipant in this ongoing, successful global quest.” A video has been produced of this world-class project by Bostik. You may view it by clicking on bit.ly/SnowbirdVideo. FEATURE: World-class ski resort opts for world-class mosaic designs Kari Bennett, principal/interior designer at Edge ID, a full-service Salt Lake City hospi- tality design firm wanted to bring the outdoors indoors, drawing on the beauty of the stunning vistas surrounding the lodge. The indigenous aspen trees in the area inspired the “wow factor” mosaic. 44 TileLetter | February 2017